Search Result
|
|
Bach Bibliography Search Result |
Series : ^BachZenshu$Your search has generated the following results ...
Show full details : ON
Max number of results shown : 300
Output sorted : alphabetically (table)
| Type | List | Author | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Abe, Kin'ya | Bach no Miryoku no Himitsu. [The secret of Bach's attractiveness] | BachZenshu | 15 | 150-156 |
 | ||
| | 2. | Aeba, Takao | 'Seimei' no Ongaku. [The music of 'Life'] | BachZenshu | 11 | 110-117 |
| ||
| | 3. | Agario, Shinya | Gakushi no Jidai. Chusei Doitsu no 'Ongakuka' to iu Shokugyo. [The days of concert master: the vocation of a 'musician' in the middle age Germany] | BachZenshu | 13 | 140-157 |
| ||
| | 4. | Allison, John | Bach o hiku Simon Preston. trans. by Tadashi Isoyama. [Simon Preston playing Bach] | BachZenshu | 9 | 102-106 |
| ||
| | 5. | Awazu, Norio | Matai Junankyoku. [St Matthew Passion] | BachZenshu | 8 | 78-86 |
| ||
| | 6. | Beißwenger, Kirsten | Bach no Ongaku Bunko: Tanin no Sakuhin no Shushu Katsudo ni Han'ei sareta Bach no Hatten to Geijutsu. Bach no Shogai. [Bach's life: Bach's music library: Bach's development and art reflected in his collection activities of other's works] trans by Hiroko Kato. | BachZenshu | 15 | 200-219 |
| ||
| | 7. | Choki, Seiji | Hindemith to Bach. 20-Seiki Ongaku no Ethos. [Hindemith and Bach: Ethos of the 20th century music] | BachZenshu | 13 | 64-76 |
| ||
| | 8. | Dadelsen, Georg von | Bach Kenkyu no arata na Kadai. Trans. by Ryuichi Higuchi. [New subjects for Bach research] | BachZenshu | 14 | 26-37 |
| ||
| | 9. | Dadelsen, Georg von | Bach no Seikatsu Isshukan. [One Week of Bach's Life] | BachZenshu | 1 | 36-44 |
| ||
| | 10. | Dadelsen, Georg von | Elbe Kahan no Hercules. Bach no Sezoku Kantata ni okeru Shinwa to Guui. trans. by Yoichi Ishikawa. [Hercules upon the Elbe: Mythology and Parable in Bach's Secular Cantatas] | BachZenshu | 6 | 36-47 |
| ||
| | 11. | Dürr, Alfred | Bach e no Michi. Watashi no Baai. Trans. by Hiroko Kato. [A way to Bach: in my case] | BachZenshu | 11 | 28-39 |
| ||
| | 12. | Dürr, Alfred | Bach no Koraru Kantata ni tsuite. Trans. by Hisao Nishikawa [On Bach's chorale cantata] | BachZenshu | 2 | 26-35 |
| ||
| | 13. | Ebata, Nobuaki | 4sei no Koraru BWV 253-438 yori. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [selection from 4 part chorales, BWV 253-438; commentary] | BachZenshu | 8 | 230-243 [46-59] |
| ||
| | 14. | Ebata, Nobuaki | Aria 'Ware wa Kare no Na o tsugen' BWV 200. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Aria 'Bekennen will ich seinen Namen' BWV 200]. | BachZenshu | 15 | 314-316 [49-51] |
| ||
| | 15. | Ebata, Nobuaki | Bach no Sakuhin ni okeru samazama na 'Ko' no Mondai ni tsuite. Sakuhin Kaisetsu. Bach to sono Shuhen. - [On problems of various 'versions' in Bach's works] | BachZenshu | 15 | 312-313 [52-53] |
| ||
| | 16. | Ebata, Nobuaki | Bach no Shoki Clavier Sakuhin ni tsuite. Sakuhin Kaisetsu. Bach to sono Shuhen. - [On Bach's early keyboard works; BWV 917, 918, 921, 922, 923+951, 944, 950, 993] | BachZenshu | 15 | 289-298 [67-76] |
| ||
| | 17. | Ebata, Nobuaki | Fuki: Densho ga Fukanzen na Kyokai Kantata ni tsuite. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Supplement: on the cantatas whose transmission is incomplete] | BachZenshu | 15 | 313-314 [51-52] |
| ||
| | 18. | Ebata, Nobuaki | 'Furansu Kumikyoku' to 2tsu no 'Kumikyoku' ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On French suites and other two suites; commentary; BWV 812-817, 818/818a, 819/819a] | BachZenshu | 11 | 196-205 [44-53] |
| ||
| | 19. | Ebata, Nobuaki | 'Goldberg Hensokyoku' no Teion Shudai ni yoru 14 no Kanon To-Chocho BWV 1087. Sakuhin Kaisetsu. Bach to sono Shuhen. - [14 canons based on the bass subject of the 'Goldberg variations'] | BachZenshu | 15 | 286-289 [76-79] |
| ||
| | 20. | Ebata, Nobuaki | Hosetsu: 'Kyu Bach Zenshu' ni yoru Kyokai Kantata no Bango ni tsuite. [Excursus: on the numbering system used for the church cantatas in the Bach-Gesellschaft edition] | BachZenshu | 4 | 314-315 [34-35] |
| ||
| | 21. | Ebata, Nobuaki | Igirisu Kumikyoku ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On English Suites; commentary; BWV 806-811] | BachZenshu | 11 | 205-214 [35-44] |
| ||
| | 22. | Ebata, Nobuaki | [Kaisetsu BWV 894]; Reinken no Trio Sonata no Bach ni yoru Henkyoku ni tsuite; [Kaisetsu BWV 965] Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [commentary BWV 894; On Bach's arrangements of Reincken's Trio Sonatas; commentary BWV 965] | BachZenshu | 11 | 215-219 [30-34] |
| ||
| | 23. | Ebata, Nobuaki | [Kantata Dai-119-Ban - Dai-129-Ban] Sakuhin Kaisetsu. [Commentary; BWV 119-129] | BachZenshu | 4 | 299-319 [30-50] |
| ||
| | 24. | Ebata, Nobuaki | [Kantata Dai-47-Ban - Dai-69-Ban.] Sakuhin Kaisetsu. [Commentary; BWV 47-68, 69a, 69] | BachZenshu | 2 | 261-294 [39-72] |
| ||
| | 25. | Ebata, Nobuaki | Klavier kumikyoku no Rekishi to Bach. [The History of Clavier suites and Bach] | BachZenshu | 11 | 54-67 |
| ||
| | 26. | Ebata, Nobuaki | Koraru 'Fukaki Fuchi yori Ware wa yobu' BWV 246/40a (Sakusha Fusho no 'Ruka Junankyoku' Dai-40-Kyoku BWV 246/40 no Henkyoku) Sakuhin Kaisetsu. Bach to sono Shuhen. - [Choral 'Aus der Tiefen rufe ich' BWV 246/40a (arragement by Bach from anonymous St.Luke Passion BWV 246)]. | BachZenshu | 15 | 298-302 [63-67] |
| ||
| | 27. | Ebata, Nobuaki | Kotansai Dai-2-Nichi, Dai-3-Nichi no Pericope ni tsuite. [On the Pericope for the 2nd and 3rd day of Christmas] | BachZenshu | 2 | 279 [54] |
| ||
| | 28. | Ebata, Nobuaki | Magnificat (Dai-1-Ko) Hen Ho-Chocho BWV 243a. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Magnificat (1st version) E-flat major, BWV 243a] | BachZenshu | 15 | 307-312 [53-58] |
| ||
| | 29. | Ebata, Nobuaki | Sakuhin no Iko no BWV Bango ni tsuite. Sakuhin Kaisetsu. Bach to sono Shuhen. - [On the BWV numbering for variants] | BachZenshu | 15 | 303 [62] |
| ||
| | 30. | Ebata, Nobuaki | 'Shoki' no Kyokai Kantata ni okeru pitch (Onko) ni tsuite. [On the pitch in the early church cantatas.] | BachZenshu | 2 | 284 [49] |
| ||
| | 31. | Ebata, Nobuaki | Tsuneni Mikansei. Leipzig Jidai no Bach no Shigoto. Bach no Shogai. [Bach's life: Always incomplete: Bach's works in Leipzig] | BachZenshu | 7 | 152-167 |
| ||
| | 32. | Ebata, Nobuaki | 'Wilhelm Friedemann Bach no tame no Clavier Shokyokushu' ni tsuite; Hisseki no Kenkyu ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. [On Clavierbüchlein for W. F. Bach; On handwriting research] | BachZenshu | 11 | 219-222 [27-30] |
| ||
| | 33. | Ebata, Nobuaki | Yohane Junankyoku BWV 245 Dai-2-Ko yori 3tsu no Aria. Sakuhin Kaisetsu. Bach to sono Shuhen. - [3 arias from St John Passion BWV 245, 2nd version] | BachZenshu | 15 | 303-307 [58-62] |
| ||
| | 34. | Ebisawa, Bin | Bach Zanzo 1789-Nen: Kita Doitsu no Mozart. [An afterimage of Bach in 1789: Mozart in North Germany] | BachZenshu | 15 | 134-149 |
| ||
| | 35. | Emans, Reinmar | Bach to Italia Ongaku. [Bach and the Italian music] trans by Yoichi Ishikawa. | BachZenshu | 15 | 42-53 |
| ||
| | 36. | Fujimoto, Itsuko | Bach to Kyokai. Bach no Shogai. [Bach's life: Bach and the Church] | BachZenshu | 1 | 136-145 |
| ||
| | 37. | Fujimoto, Itsuko | Manifikato Ni-Chocho BWV 243. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Magnificat, BWV 243; commentary] | BachZenshu | 7 | 211-215 [54-58] |
| ||
| | 38. | Fujimoto, Itsuko | Shomisakyoku ni tsuite; Sho-Misakyoku ni ten'yo sareta Genkyoku; [Kaisetsu] BWV 233-236. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [On Missa brevis; On original works which parodiert into Missa brevis, BWV 233-236; commentary] | BachZenshu | 7 | 215-219 [50-54] |
| ||
| | 39. | Fujishiro, Kouichi | Eisenach, soshite Weimar. [Eisenach, and then Weimar] | BachZenshu | 13 | 124-139 |
| ||
| | 40. | Fukatsu, Fumio | Boku no Naka no Kantata. [Cantata within me] | BachZenshu | 2 | 96-102 |
| ||
| | 41. | Geck, Martin | Bach no Kantata ni okeru 'Kirisuto no Koe' Gakusho. trans. by Kinya Osumi. ['The Voice of Christ' movement in Bach's Cantatas] | BachZenshu | 4 | 38-61 |
| ||
| | 42. | Glöckner, Andreas | Bach no ushinawareta Junankyoku ni tsuite. Trans. by Hisao Nishikawa [On the lost Passions] | BachZenshu | 8 | 24-33 |
| ||
| | 43. | Gunji, Sumi | Bach Jidai no Gakki. Pictorial J. S. Bach. [Instruments in Bach's day] | BachZenshu | 13 | 77-84 |
| ||
| | 44. | Göbel, Reinhard | Bach Jidai no Enso o Saigen suru. Trans. by Taro Yamazaki. [A realisation of the performance of Bach's day] | BachZenshu | 14 | 94-99 |
| ||
| | 45. | Hamada, Jiro | Bach, Lute, soshite Guitar. [Bach, Lute and Guitar] | BachZenshu | 13 | 50-63 |
| ||
| | 46. | Hara, Kenji | Shijo ni mureru Doke tachi, aruiwa Yutakasa no Kyohaku. [Clowns gathering in the market, or the threat of the wealth] | BachZenshu | 6 | 86-105 |
| ||
| | 47. | Higuchi, Ryuichi | 4tsu no Duetto BWV 802-805 [in Clavierübung III]. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [4 Duets; commentary; BWV 802-805] | BachZenshu | 11 | 224-225 [24-25] |
| ||
 | 48. | Higuchi, Ryuichi (ed.) | Chenbaro Kyoku I / Werke für Cembalo 1 / Music for harpsichord 1. Tokyo: Shogakukan, 1996. 245p. ISBN: 4-09-612011-1. (= Bach Zenshu, 11; Complete Johann Sebastian Bach edition, 11) | BachZenshu | 11 | 245p |
| ||
| | 49. | Higuchi, Ryuichi | Cöthen no Sei to Zoku. Bach no Shogai. [Bach's life: Sacred and secular in Cöthen] | BachZenshu | 13 | 180-195 |
| ||
| | 50. | Higuchi, Ryuichi | [France] Sakuhin Kaisetsu. Bach to sono Shuhen. - [François Couperin; Nicolas de Grigny; Jean-Philippe Rameau] | BachZenshu | 15 | 250-255 [110-115] |
| ||
| | 51. | Higuchi, Ryuichi | Fukkatsusai Oratorio 'Kitare, isoge, soshite hashire' BWV 249. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [Easter Oratorio, BWV 249; commentary] | BachZenshu | 8 | 243-245 [44-46] |
| ||
| | 52. | Higuchi, Ryuichi | Invention (2-sei) to Sinfonia (3-sei) BWV 772-801. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. [Inventions and Sinfonias BWV 772-801 (commentary)] | BachZenshu | 11 | 224-231 [18-25] |
| ||
| | 53. | Higuchi, Ryuichi | [Italia] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Antonio Vivaldi; Alessandro Marcello; Giovanni Battista Pergolesi; Giuseppe Torelli; Girolamo Frescobaldi] | BachZenshu | 15 | 255-262 [103-110] |
| ||
| | 54. | Higuchi, Ryuichi | [Kantata Dai-37-Ban - Dai-43-Ban.] Sakuhin Kaisetsu. [Commentary; BWV 37-43] | BachZenshu | 2 | 297-305 [28-36] |
| ||
| | 55. | Higuchi, Ryuichi | Kantata no Shijin tachi. [The Poets for Bach's Cantatas] | BachZenshu | 4 | 12-25 |
| ||
| | 56. | Higuchi, Ryuichi | Kantata no Shiki. [The four seasons of cantata] | BachZenshu | 2 | 12-25 |
| ||
| | 57. | Higuchi, Ryuichi | Kizoku mo Shimin mo Nomin mo. Bach no Sezoku Kantata ga utsusu 18-Seiki Doitsu no Shakai to Seikatsu. [Aristcrats, citizens and farmers: the society and life in the 18th century Germany portrayed by Bach's secular cantatas] | BachZenshu | 6 | 12-23 |
| ||
| | 58. | Higuchi, Ryuichi | Kyoikusha to shite no Bach. Bach no Shogai. [Bach's life: Bach as an educator] | BachZenshu | 11 | 174-186 |
| ||
| | 59. | Higuchi, Ryuichi (ed.) | Kyokai Kantata II / Kirchenkantaten 2 / Church cantatas. 2. Tokyo: Shogakukan, 1997. 329p. ISBN: 4-09-612002-2. (= Bach Zenshu, 2; Complete Johann Sebastian Bach edition, 2) | BachZenshu | 2 | 329p |
| ||
| | 60. | Higuchi, Ryuichi (ed.) | Kyokai kantata IV /Kirchenkantaten 4 / Church cantatas 4. Tokyo: Shogakukan, 1998. 345p. ISBN: 4-09-612004-9. (= Bach Zenshu, 4; Complete Johann Sebastian Bach edition, 4) | BachZenshu | 4 | 345p |
| ||
| | 61. | Higuchi, Ryuichi | Matai Junankyoku BWV 244. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [Matthäus-Passion, BWV 244; commentary] | BachZenshu | 8 | 251-263 [26-38] |
| ||
| | 62. | Higuchi, Ryuichi (ed.) | Misa to Junankyoku II / Messen und Passionen 2 / Masses and passions 2. Tokyo: Shogakukan, 1998. 286p. ISBN: 4-09-612008-1. (= Bach Zenshu, 8; Complete Johann Sebastian Bach edition, 8) | BachZenshu | 8 | 286p |
| ||
| | 63. | Higuchi, Ryuichi | Orpheus o koete. Bach to Klavier o meguru kosatsu. [Beyond Orpheus: a thought on Bach and Clavier] | BachZenshu | 11 | 12-27 |
| ||
| | 64. | Higuchi, Ryuichi | Rekishi no naka no Junankyoku to Oratorio. [Passions and Oratorios in the history] | BachZenshu | 8 | 12-23 |
| ||
| | 65. | Higuchi, Ryuichi | Sezoku Kantata. Sakuhin Kaisetsu. [Secular Cantatas; commentary; BWV 36c, 201-215] | BachZenshu | 6 | 220-236 [25-41] |
| ||
| | 66. | Higuchi, Ryuichi (ed.) | Sezoku Kantata / Weltliche Kantaten / Secular cantatas. Tokyo: Shogakukan, 1998. 256p. ISBN: 4-09-612006-5. (= Bach Zenshu, 6; Complete Johann Sebastian Bach edition, 6) | BachZenshu | 6 | 256p |
| ||
| | 67. | Higuchi, Ryuichi | Sinfonia Ni-Chocho BWV 1045. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Sinfonia BWV 1045 (commentary)] | BachZenshu | 14 | 233 [28] |
| ||
| | 68. | Hill, Robert | Nidan Kenban no Tankyu: 'Goldberg Hensokyoku' no Haikei. [In search of two-manual instrument: the background of the 'Goldberg' variations] | BachZenshu | 12 | 50-63 |
| ||
| | 69. | Hofmann, Klaus | Bach no Italia-go Kantata. trans. by Yoichi Ishikawa. [Bach's cantata in Italian] | BachZenshu | 6 | 48-60 |
| ||
| | 70. | Hofmann, Klaus | Göttingen Bach Kenkyujo no Rekishi: Shin Bach Zenshu Hassho no Chi. trans. by Hiroko Kato. [The History of Bach Institut in Göttingen: The place of birth of the New Bach Editions] | BachZenshu | 4 | 26-37 |
| ||
| | 71. | Hofmann, Klaus | Sakuso shita Michi no Tansaku. Bach no Cembalo Kyosokyoku to ushinawareta Genkyoku no Fukugen o megutte. Trans. by Hisao Nishikawa [Finding in a complicated paths: on the reconstruction of the lost original of Bach's harpsichord concertos] | BachZenshu | 14 | 38-52 |
| ||
| | 72. | Hofmann, Klaus | Weimar Jidai no Kantata Karenda. Trans. by Mariko Ikegami [Cantata Calendar in Weimar period] | BachZenshu | 3 | 26-37 |
| ||
| | 73. | Holschneider, Andreas | Archiv Production no Rekishi. trans. by Hiroko Kato. [The History of Archiv Production] | BachZenshu | 9 | 82-92 |
| ||
| | 74. | Holschneider, Andreas | Bach Enso no Kako to Genzai. [Bach Performance in the past and present] trans by Hiroko Kato. | BachZenshu | 2 | 66-76 |
| ||
| | 75. | Horn, Wolfgang | Dresden Kyutei Gakudan to Bach. Trans. by Hisao Nishikawa. [Dresden court chamber orchestra and Bach] | BachZenshu | 6 | 24-35 |
| ||
| | 76. | Hoshino, Hiromi | Gakki no Oh, Bach no Gakki. [The King of Instrument: Bach's Instrument] | BachZenshu | 9 | 70-81 |
| ||
| | 77. | Hosokawa, Toshio | Watashi to Bach, watashi to Europe. [I and Bach, I and Europe] | BachZenshu | 5 | 78-88 |
| ||
| | 78. | Ichikawa, Shin'ichiro | Bach o torimaku Kenbangakki. Pictorial J. S. Bach. [Keyboard instruments surrounding Bach] | BachZenshu | 11 | 101-108 |
| ||
| | 79. | Ikegami, Jun'ichi | Zarathustra no Namida. [Zarathustra's tears] | BachZenshu | 10 | 150-169 |
| ||
| | 80. | Ikegami, Mariko | J. S. Bach Nenpu. [J. S. Bach chronicle] | BachZenshu | 1 | 146-157 [144-155] |
| ||
| | 81. | Ishikawa, Yoichi | Ichizoku no Dento o tsutaeru Sakuhingun. Sakuhin Kaisetsu. Bach to sono Shuhen. - [A set of works that passes on the family tradition] [Heinrich Bach; Johann Michael Bach; Georg Christoph Bach; Johann Christoph Bach] | BachZenshu | 15 | 281-285 [80-84] |
| ||
| | 82. | Ishikawa, Yoichi | [Kantata Dai-130-Ban - Dai-148-Ban] Sakuhin Kaisetsu. [Commentary; BWV 130-148] | BachZenshu | 4 | 281-299 [50-68] |
| ||
| | 83. | Ishikawa, Yoichi | [Kantata Dai-44-Ban - Dai-46-Ban; Dai-70-Ban - Dai-78-Ban] Sakuhin Kaisetsu. [Commentary; BWV 44-46, 70-78] | BachZenshu | 2 | 250-261, 294-297 [36-39, 72-83] |
| ||
| | 84. | Ishikawa, Yoichi | Kurisumasu Oratorio BWV 248. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [Christmas Oratorio, BWV 248; commentary] | BachZenshu | 8 | 245-251 [38-44] |
| ||
| | 85. | Ishikawa, Yoichi | Monteverdi to Bach. [Monteverdi and Bach] | BachZenshu | 2 | 54-65 |
| ||
| | 86. | Ishikawa, Yoichi | Mühlhausen Izen no Bach. Dai-1-Ji Weimar Jidai. Dai-2-Ji Weimar Jidai. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Bach in the pre-Mühlhausen era; 1st Weimar period; 2nd Weimar period] [Johann Rudolf Ahle; Johann Pachelbel; Johann Paul von Westhoff; Johann Gottfried Walther] | BachZenshu | 15 | 276-280 [85-89] |
| ||
| | 87. | Ishikawa, Yoichi | Shukyoteki riito 'Schemelli kakyokushu' BWV 439-507 yori. Sakuhin Kaisetsu. Misakyoku, Junankyoku [2]. - [selection from Schemelli's sacred songs, BWV 439-507; commentary] | BachZenshu | 8 | 228-230 [59-61] |
| ||
| | 88. | Isoyama, Tadashi | 7-tsu no Tokkata ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [On 7 toccatas; commentary; BWV 910-916]. | BachZenshu | 12 | 212-215 [26-29] |
| ||
| | 89. | Isoyama, Tadashi | Bach no Shikaku. Shikaku no Bach. Bach no Shogai. [Bach's life: Bach's eye-sight: Eye-sight's Bach] | BachZenshu | 8 | 144-155 |
| ||
| | 90. | Isoyama, Tadashi | Bach to Wien Koten-ha [Bach and the Viennese Classical school] | BachZenshu | 15 | 88-97 |
| ||
| | 91. | Isoyama, Tadashi (ed.) | Chenbaro Kyoku II / Werke für Cembalo 2 / Music for harpsichord 2. Tokyo: Shogakukan, 1998. 237p. ISBN: 4-09-612012-X. (= Bach Zenshu, 12; Complete Johann Sebastian Bach edition, 12) | BachZenshu | 12 | 237p |
| ||
| | 92. | Isoyama, Tadashi | [Dresden] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Johann David Heinichen; Silvius Leopold Weiss; Jan Dismas Zelenka; Johann Georg Pisendel; Pierre-Gabriel Buffardin; Johann Christian Petzold; Johann Adolf Hasse; Friedrich II; Johann Gottlieb Graun] | BachZenshu | 15 | 263-267 [98-102] |
| ||
| | 93. | Isoyama, Tadashi | Goldberg Hensokyoku BWV 988. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [Goldberg variations, BWV 988; commentary] | BachZenshu | 12 | 201-205 [36-40] |
| ||
| | 94. | Isoyama, Tadashi | [Hamburg, Lüneburg, Lübeck] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Georg Böhm; Dietrich Buxhude; Johann Adam Reinken; Georg Friedrich Händel; Georg Philipp Telemann] | BachZenshu | 15 | 269-271 [94-96] |
| ||
| | 95. | Isoyama, Tadashi | Heikinritsu Clavier Kyokushu Dai-1-Kan BWV 846-869; Heikinritsu Clavier Kyokushu Dai-2-Kan BWV 870-893. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. [Well tempered Clavier, part 1 and 2; commentary] | BachZenshu | 12 | 215-223 [18-26] |
| ||
| | 96. | Isoyama, Tadashi | Ima, Bach no Kantata o. [Bach's Cantata Now] | BachZenshu | 1 | 12-23 |
| ||
| | 97. | Isoyama, Tadashi | Itaria Kyosokyoku He-Chocho BWV 971. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [Italian Concerto, BWV 971; commentary] | BachZenshu | 12 | 207-208 [33-34] |
| ||
| | 98. | Isoyama, Tadashi | Jidai no Naka no Kantata. [Cantata in the age] | BachZenshu | 3 | 12-25 |
| ||
| | 99. | Isoyama, Tadashi | Kantata Dai-163-Ban - Dai-199-Ban. Sakuhin Kaisetsu. [Cantata nos.163-199; Commentary.] | BachZenshu | 5 | 244-277 [28-61] |
| ||
| | 100. | Isoyama, Tadashi | Kantata Dai-1-Ban - Dai-36-Ban. Sakuhin Kaisetsu. [Commentary. Cantata nos.1-36] | BachZenshu | 1 | 234-275 [26-67] |
| ||
| | 101. | Isoyama, Tadashi | Kantata Dai-79-Ban - Dai-117-Ban. Sakuhin Kaisetsu. [Commentar; BWV 79-117] | BachZenshu | 3 | 232-272 [29-69] |
| ||
| | 102. | Isoyama, Tadashi (ed.) | Kyokai kantata III / Kirchenkantaten 3 / Church cantatas 3. Tokyo: Shogakukan, 1997. 298p. ISBN: 4-09-612003-0. (= Bach Zenshu, 3; Complete Johann Sebastian Bach edition, 3) | BachZenshu | 3 | 298p |
| ||
| | 103. | Isoyama, Tadashi (ed.) | Kyokai Kantata I / Kirchenkantaten 1 / Church cantatas 1. Tokyo: Shogakukan, 1996. 297p. ISBN: 4-09-612001-4. (= Bach Zenshu, 1; Complete Johann Sebastian Bach edition, 1) | BachZenshu | 1 | 297p |
| ||
| | 104. | Isoyama, Tadashi (ed.) | Kyokai Kantata V / Kirchenkantaten 5 / Church cantatas 5. Tokyo: Shogakukan, 1999. 301p. ISBN: 4-09-612005-7. (= Bach Zenshu, 5; Complete Johann Sebastian Bach edition, 5) | BachZenshu | 5 | 301p |
| ||
| | 105. | Isoyama, Tadashi | Kyosokyoku Ni-Chocho BWV 972; Aria to Henso I-Tancho BWV 989; Kapuriccho 'Saiai no ani no Tabidachi ni yosete' BWV 992; Applicatio (Unshi Renshukyoku) Ha-Chocho BWV 994. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [Concerto, BWV 972; Aria with variations, BWV 989; Capriccio, BWV 992; Applicatio, BWV 994; commentary] | BachZenshu | 12 | 205-207 [34-36] |
| ||
| | 106. | Isoyama, Tadashi | [Leipzig] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Johann Kuhnau; Christoph Graupner; Johann Ludwig Krebs] | BachZenshu | 15 | 272-275 [90-93] |
| ||
| | 107. | Isoyama, Tadashi | Oruganisuto Bach. [Organist Bach] | BachZenshu | 9 | 12-37 |
| ||
| | 108. | Isoyama, Tadashi (ed.) | Orugan Kyoku I / Das Orgelwerk 1 / Music for organ 1. Tokyo: Shogakukan, 1997. 209p. ISBN: 4-09-612009-X. (= Bach Zenshu, 9; Complete Johann Sebastian Bach edition, 9) | BachZenshu | 9 | 209p |
| ||
| | 109. | Isoyama, Tadashi | Record - CD ni yoru Kantata Enso-shi. [Performance history of Cantatas in records and CDs] | BachZenshu | 5 | 12-25 |
| ||
| | 110. | Isoyama, Tadashi | [Sho-zensokyoku] BWV 924-931, 933-938, 939-943, [Zensokyoku to fugetta] BWV 901, 902; [Gensokyoku to fuga] BWV 903, 904, 906. Sakuhin Kaisetsu. Chenbaro Kyoku [2]. - [small preludes, prelude and fugues, fantasia and fugues; commentary] | BachZenshu | 12 | 208-212 [29-33] |
| ||
| | 111. | Isoyama, Tadashi | Sozosei to Kyoiku: Bach no Clavier Ongaku. [Creativity and Education: Bach's clavier music] | BachZenshu | 12 | 12-27 |
| ||
| | 112. | Isozaki, Arata | Enso Kukan ga kawatte iku. [Changing space of performance] | BachZenshu | 5 | 89-96 |
| ||
| | 113. | Ito, Tatsuhiko | Bach to 'Yujo Kinencho' no Dento. Bach no Shogai. [Bach's life: Bach and the Tradition of 'The Notebook of Friendship'] | BachZenshu | 4 | 170-184 |
| ||
| | 114. | Iyanaga, Nobumi | 'Rekishi no Naka' no Bach, 'Rekishi no Soto' no Bach. [Bach inside the History; Bach outside the History] | BachZenshu | 1 | 80-105 |
| ||
| | 115. | Kabayama, Kouichi | Halle to Leipzig. Doitsu Seishin no futatsu no Senpo. [Halle and Leipzig: Two acmes of German spirit.] | BachZenshu | 14 | 112-123 |
| ||
| | 116. | Kanazawa, Masakata | Johann Sebastian Bach to Watashi. [Johann Sebastian Bach and I] | BachZenshu | 2 | 86-95 |
| ||
| | 117. | Kaneko, Takashi | Brandenburg Kyosokyoku ni tsuite. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On Brandenburg concertos; commentary; BWV 1046, 1046a, 1047-1050, 1050a, 1051] | BachZenshu | 14 | 221-233 [28-40] |
| ||
| | 118. | Kasahara, Kiyoshi | Bach, 1725-Nen Natsu. 'Matai Junankyoku' Sakkyoku Zen'ya. [Bach in the summer of 1725: In the eve of composing the St Matthew Passion] | BachZenshu | 3 | 104-119 |
| ||
| | 119. | Katayama, Chikako | 'Chowasu' no Gainen o meguru Rekishiteki Tansaku. [A historical enquiry on the concept of 'Harmonic numbers'] | BachZenshu | 10 | 98-123 |
| ||
| | 120. | Kato, Hiroko | Kangengaku Kumikyoku ni tsuite. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On orchestra suites; commentary; BWV 1066-1069, 1070] | BachZenshu | 14 | 200-208 [53-61] |
| ||
| | 121. | Kato, Hiroko | [Kantata Dai-149-Ban - Dai-162-Ban] Sakuhin Kaisetsu. [Commentary; BWV 149-162] | BachZenshu | 4 | 270-281 [68-79] |
| ||
| | 122. | Kato, Hiroko | 'Kohi Kantata' to Doitsu Kohi Jijo. [Coffee Cantata and the state of affair of coffee in Germany] | BachZenshu | 6 | 122-133 |
| ||
| | 123. | Kato, Hiroko | Motetto ni tsuite; Bach no Motetton ni tsuite; [Kaisetsu] BWV 225-230, 231, Anh.159, 118b [sic]. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [On motett; On Bach's motett; commentary BWV 225-230, 231, Anh. 159, 118 (later version)]. | BachZenshu | 7 | 239-247 [22-30] |
| ||
| | 124. | Kato, Hiroko | Tanoshiki Leipzig. Hanahiraku Concert Seikatsu. [Joyous Leipzig: Lively Concert Life] | BachZenshu | 14 | 124-135 |
| ||
| | 125. | Kato, Shuichi | Bach, Barokku, Bauhaus. | BachZenshu | 1 | 54-64 |
| ||
| | 126. | Kawai, Hayao | 'Tamashii' no Ongaku [The Music of the Spirit'] | BachZenshu | 1 | 65-71 |
| ||
| | 127. | Kikuchi, Yoshio | Bach no Ashiato. Bach no Shogai. [Bach's life: Bach's footpath] | BachZenshu | 3 | 142-155 |
| ||
| | 128. | Kimura, Bin | Bach no warai. [Bach's laughter] | BachZenshu | 13 | 86-92 |
| ||
| | 129. | Kimura, Sachiko | Mendelssohn ni yoru 'Matai Junankyoku' Saien -- Bach Fukko no Michinori. [Revival performance of St Matthew Passion by Mendelssohn -- Paths to Bach Revival.] | BachZenshu | 8 | 50-68 |
| ||
| | 130. | Kobayashi, Yoshitake | Bach ni yoru Junankyoku Joen ni tsuite. [On the performance of Passions by Bach] | BachZenshu | 7 | 34-47 |
| ||
| | 131. | Kobayashi, Yoshitake | Bach no gosenshi. [Bach's music paper] | BachZenshu | 5 | 54-68 |
| ||
| | 132. | Kobayashi, Yoshitake | Bach no Hisseki o megutte. 1730-Nen Iko. [Tracing back Bach's handwriting: after 1730] | BachZenshu | 4 | 62-87 |
| ||
| | 133. | Kobayashi, Yoshitake | Bach no Hisseki o megutte: Köthen Jidai kara Leipzig Jidai Shoki (1729) made. [Tracing back Bach's Handwriting: From his period in Köthen to his early Leipzig period (1729)] | BachZenshu | 3 | 38-60 |
| ||
| | 134. | Kobayashi, Yoshitake | Bach no Hisseki o megutte: Weimar Jidai made. [Tracing back Bach's handwriting: till his Weimar period] | BachZenshu | 2 | 36-53 |
| ||
| | 135. | Kobayashi, Yoshitake | Bach Orugan Sakuhin no Shiryo to Densho. [The sources and transmission of Bach's organ works] | BachZenshu | 9 | 38-51 |
| ||
| | 136. | Kobayashi, Yoshitake | Bach to Kaiga. Bach no Shogai. [Bach's life: Bach and Painting.] | BachZenshu | 12 | 182-199 |
| ||
| | 137. | Kobayashi, Yoshitake (ed.) | Bach to sono Shuhen / Anhang / Supplement. Tokyo, Japan: Shogakukan, 1999. 359p. ISBN: 4-09-612015-4. (= Bach Zenshu, 15; Complete Johann Sebastian Bach edition, 15) | BachZenshu | 15 | 359p |
| ||
| | 138. | Kobayashi, Yoshitake | Barokku Jidai no Shimin to Ongaku. Pictorial J. S. Bach. [Citizen and Music in the Baroque era] | BachZenshu | 15 | 125-132 |
| ||
| | 139. | Kobayashi, Yoshitake | Brandenburg Kyosokyoku no Seiritsu ni tsuite. [On the origin of Brandenburg concertos] | BachZenshu | 14 | 52-63 |
| ||
| | 140. | Kobayashi, Yoshitake | Gaisetsu: Bach Ichizoku no Kantata. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Cantatas by Bach family] | BachZenshu | 15 | 285 [80] |
| ||
| | 141. | Kobayashi, Yoshitake | Gaisetsu: Bach Ko / Kosei no Sakkyokuka ni yoru Henkyoku. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Ode to Bach: Arrangements by the composer of later generations] | BachZenshu | 15 | 241 [124] |
| ||
| | 142. | Kobayashi, Yoshitake | Gaisetsu: Bach no Ashiato o tazunete 1. [Mühlhausen Izen; Weimar] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 1: before Mühlhausen; Weimar] | BachZenshu | 15 | 280-281 [84-85] |
| ||
| | 143. | Kobayashi, Yoshitake | Gaisetsu: Bach no Ashiato o tazunete 2. [Leipzig] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 2: Leipzig] | BachZenshu | 15 | 275-276 [89-90] |
| ||
| | 144. | Kobayashi, Yoshitake | Gaisetsu: Bach no Ashiato o tazunete 3. [Kita Doitsu no Shotoshi -- Hamburg, Lüneburg, Lübeck] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 3: North German towns--Hamburg, Lüneburg, Lübeck] | BachZenshu | 15 | 272 [93] |
| ||
| | 145. | Kobayashi, Yoshitake | Gaisetsu: Bach no Ashiato o tazunete 4. [Dresden; Berlin] Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - visiting Bach's footsteps, 4: Dresden; Berlin] | BachZenshu | 15 | 267-269 [96-98] |
| ||
| | 146. | Kobayashi, Yoshitake | Gaisetsu: Bach no Musuko Tachi. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Bach's Sons] | BachZenshu | 15 | 249 [116] |
| ||
| | 147. | Kobayashi, Yoshitake | Gaisetsu: Bach Sakuhin Hoi. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview: Bach's Ouvre - Appendix] | BachZenshu | 15 | 316-317 [48-49] |
| ||
| | 148. | Kobayashi, Yoshitake | Gaisetsu: Bach to Furansu no Ongaku. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Bach and French music] | BachZenshu | 15 | 255 [110] |
| ||
| | 149. | Kobayashi, Yoshitake | Gaisetsu: Bach to Italia Ongaku. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Overview - Bach and Italian music] | BachZenshu | 15 | 262-263 [102-103] |
| ||
| | 150. | Kobayashi, Yoshitake | Kantata no Saihakken to Juyo. [Rediscovery of Cantata and Reception] | BachZenshu | 1 | 24-35 |
| ||
| | 151. | Kobayashi, Yoshitake | Ongakushi no Nagare ni tatsu Bach: Shuen to Reimei. [Bach in the history of music: end and dawn] | BachZenshu | 15 | 12-27 |
| ||
| | 152. | Koike, Hisako | Iesu no Junan. Pictorial J. S. Bach. [The passion of Jesus] | BachZenshu | 7 | 77-84 |
| ||
| | 153. | Koike, Hisako | Iesu no Shogai. Pictorial J. S. Bach. [The Life of Jesus] | BachZenshu | 1 | 45-52 |
| ||
| | 154. | Koike, Hisako | Iesu to Shito tachi. Pictorial J. S. Bach. [Jesus and his disciples] | BachZenshu | 2 | 77-84 |
| ||
| | 155. | Koike, Hisako | Inori no Kozu. Pictorial J. S. Bach. [The Framing of Prayers] | BachZenshu | 10 | 73-80 |
| ||
| | 156. | Koike, Hisako | Shi no Neiro: 'Shi no Buto' o megutte. [The sound of death: on the 'dance of death'] | BachZenshu | 5 | 120-139 |
| ||
| | 157. | Kokaji, Kunitaka | 'Clavier Renshukyokushu Dai-1-Bu' '6-tsu no Partita' ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On Clavierübung part 1 '6 Partitas'; commentary; BWV 825-830] | BachZenshu | 11 | 188-196 [53-61] |
| ||
| | 158. | Kokaji, Kunitaka | France Gendai Ongaku to Bach. [Modern French music and Bach] | BachZenshu | 11 | 68-77 |
| ||
| | 159. | Kokaji, Kunitaka | Fuga ni tsuite; Fuga no giho BWV 1080. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On fugues; the art of fugue (commentary)] | BachZenshu | 14 | 189-194 [67-72] |
| ||
| | 160. | Kokaji, Kunitaka | Furansu-fu Jokyoku Ro-Tancho BWV 831. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [French Overture in B minor, BWV 831 (commentary)] | BachZenshu | 11 | 222-224 [25-27] |
| ||
| | 161. | Kokaji, Kunitaka | Kanon ni tsuite; Ongaku no sasage mono BWV 1079. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [On canons; commentary; BWV 1072-1078, 1086, 1087; Musikalisches Opfer; commentary] | BachZenshu | 14 | 194-200 [61-67] |
| ||
| | 162. | Kokaji, Kunitaka | Kumikyoku ni tsuite. Sakuhin Kaisetsu. Chenbaro Kyoku [1]. - [On Clavier Suites] | BachZenshu | 11 | 214-215 [34-35] |
| ||
| | 163. | Kokaji, Kunitaka | Neumeister Korarushu (BWV 1090-1120) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Neumeister chorale collection, BWV 1090-1120; commentary] | BachZenshu | 10 | 208-218 [79-89] |
| ||
| | 164. | Krummacher, Friedhelm | Hatten no Dankai: Bach no Kantata ni okeru Gassho Gakusho ni tsuite. [The process of development: on the choral movements in Bach's cantatas] trans. by Mariko Ikegami. | BachZenshu | 5 | 36-53 |
| ||
| | 165. | Kumamoto, Mari | Watashi no Bach Monogatari. [My Bach story] | BachZenshu | 12 | 123-128 |
| ||
| | 166. | Leisinger, Ulrich | Bach no Mubanso Violin oyobi Cello no tame no Sakuhin. Trans. by Naoaki Eguchi. [Bach's works for unaccompanied violin and cello] | BachZenshu | 13 | 42-49 |
| ||
| | 167. | Matsui, Naomi | Bach ni sodaterarete. [Brought up by Bach] | BachZenshu | 9 | 115-120 |
| ||
| | 168. | Melamed, Daniel R. | Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. trans. by Ryuichi Higuchi. [Motett-style movements in Bach's Church Cantatas] | BachZenshu | 4 | 88-96 |
| ||
| | 169. | Minagawa, Tatsuo | Bach wa Ogawa dewa nai. [Bach is not a brook] | BachZenshu | 10 | 82-89 |
| ||
| | 170. | Miyake, Yukio | 6-kyoku no Furuto Sonata (BWV 1030-1035) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On flute sonatas, BWV 1030-1035; commentary] | BachZenshu | 13 | 201-207 [62-68] |
| ||
| | 171. | Miyake, Yukio | Bach no Violin Kyosokyoku [BWV 1041-1043]; Sanju Kyosokyoku I-Tancho BWV 1044 (Furuto, Violin to Chenbaro no tame no Kyosokyoku). Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Bach's violin concertos; triple concerto (commentary)] | BachZenshu | 14 | 233-239 [22-28] |
| ||
| | 172. | Miyake, Yukio | Emanuel no Sakuhin. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Carl Philipp Emanuel Bach; Sinfonia G-dur H 657; Sonate für Querflöte solo a-Moll H 562; Sonate H 74 (aus 'Versuch über der wahre Art das Klavire zu spielen'); Magnificat H 772] | BachZenshu | 15 | 241-245 [120-124] |
| ||
| | 173. | Miyake, Yukio | Friedemann, Friedrich, Chriatian no Sakuhin. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Wilhelm Friedemann Bach: Konzert für 2 Cembali F-Dur BWV Anh. 188; Johann Christoph Friedrich Bach: Quartett für Traversflöte, Violine, Viola und Basso C-Dur; Johann Christian Bach: Ouverture No.1 D-dur, Duett G-Dur, Concerto Es-Dur op.7-5] | BachZenshu | 15 | 245-249 [116-120] |
| ||
| | 174. | Miyake, Yukio | Geijutsuka no Jiga, Sosaku no Jiyu. Bach no Shogai. [Bach's life: Ego of an Artist - Freedom of Creation] | BachZenshu | 14 | 174-185 |
| ||
| | 175. | Miyake, Yukio | [Kaisetsu: BWV 1020, Anh. 153, 1021-1026]. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [commentary BWV 1020 (= H. 542.5), Anh. 153, 1021-1026] | BachZenshu | 13 | 211-216 [53-58] |
| ||
| | 176. | Miyake, Yukio | Kashaku naki Hitsuzensei - Orugan no tame no Koraru Henkyoku o megutte. [Absolute necessity: on the chorale arrangements for organ] | BachZenshu | 10 | 12-25 |
| ||
| | 177. | Miyake, Yukio (ed.) | Kyosokyoku; Kangen gakkyoku / Orchesterwerke / Orchestral music. Tokyo: Shogakukan, 1995. 257p. ISBN: 4-09-612014-6. (= Bach Zenshu, 14; Complete Johann Sebastian Bach edition, 14) | BachZenshu | 14 | 257p |
| ||
| | 178. | Miyake, Yukio | Mattaki Sekai Sozo: Wagner no Bach Juyo. [The Creation of Universe: Wagner's Bach reception] | BachZenshu | 15 | 98-111 |
| ||
| | 179. | Miyake, Yukio (ed.) | Misakyoku, Junankyoku I / Messen und Passionen 1 / Masses and passions 1. Tokyo: Shogakukan, 1996. 265p. ISBN: 4-09-612007-3. (= Bach Zenshu, 7; Complete Johann Sebastian Bach edition, 7) | BachZenshu | 7 | 265p |
| ||
| | 180. | Miyake, Yukio | Mubanso Cello Kumikyoku (BWV 1007-1012) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Suites for unaccompanied violoncello, BWV 1007-1012; commentary] | BachZenshu | 13 | 227-235 [34-42] |
| ||
| | 181. | Miyake, Yukio | Mubanso Furuto no tame no Partita I-Tancho BWV 1013. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [Partita for unac flute in a minor BWV 1013 (commentary)] | BachZenshu | 13 | 226-227 [42-43] |
| ||
| | 182. | Miyake, Yukio | Mubanso Violin no tame no Sonata to Partita (BWV 1001-1006) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Sonatas and Partitas for unac violin, BWV 1001-1006; commentary] | BachZenshu | 13 | 235-242 [27-34] |
| ||
| | 183. | Miyake, Yukio | Musica Reservata. | BachZenshu | 13 | 12-27 |
| ||
| | 184. | Miyake, Yukio | Ongaku no Shujiho. [Musical Rhetoric] | BachZenshu | 7 | 12-23 |
| ||
| | 185. | Miyake, Yukio (ed.) | Orugan Kyoku II / Das Orgelwerk 2 / Music for organ 2. Tokyo: Shogakukan, 1999. 293p. ISBN: 4-09-612010-3. (= Bach Zenshu, 10; Complete Johann Sebastian Bach edition, 10) | BachZenshu | 10 | 293p |
| ||
| | 186. | Miyake, Yukio | Orugan Kyosokyoku (henkyoku) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. [On organ concertos (arrangements); commentary; BWV 592-597] | BachZenshu | 10 | 270-273 [24-27] |
| ||
| | 187. | Miyake, Yukio | Orugan Shokyokushu (BWV 599-644) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Orgelbüchlein, BWV 599-644; commentary] | BachZenshu | 10 | 253-270 [27-44] |
| ||
| | 188. | Miyake, Yukio | Ryutokyoku ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On lute works; commentary; BWV 995-1000, 1006a] | BachZenshu | 13 | 245-251 [18-24] |
| ||
| | 189. | Miyake, Yukio (ed.) | Shitsunaigakkyoku / Kammermusik / Chamber music. Tokyo: Shogakukan, 1997. 265p. ISBN: 4-09-612013-8. (= Bach Zenshu, 13; Complete Johann Sebastian Bach edition, 13) | BachZenshu | 13 | 265p |
| ||
| | 190. | Miyake, Yukio | Shitsunaigakkyoku ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On chamber music] | BachZenshu | 13 | 242-245 [24-27] |
| ||
| | 191. | Miyake, Yukio | Torio Sonata ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Trio Sonata; commentary; BWV 1036-1039] | BachZenshu | 13 | 197-201 [68-72] |
| ||
| | 192. | Miyake, Yukio | Viola da Gamba to Chenbaro no tame no Sonata (BWV 1027-1029) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Sonatas for viola da gamba and cembalo, BWV 1027-1029; commentary] | BachZenshu | 13 | 207-211 [58-62] |
| ||
| | 193. | Miyake, Yukio | Violin to Chenbaro no tame no Sonata (BWV 1014-1019) ni tsuite. Sakuhin Kaisetsu. Shitsunaigakkyoku. - [On Sonatas for violin and cembalo, BWV 1014-1019, 1019a; commentary] | BachZenshu | 13 | 216-226 [43-53] |
| ||
| | 194. | Miyake, Yukio | Yakudo suru Bach. Atarashii Bach Zo ni mukete. [Stirring Bach: toward a new image of Bach] | BachZenshu | 14 | 12-25 |
| ||
| | 195. | Miyake, Yukio | Yohane Junankyoku BWV 245. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Johannes-Passion, BWV 245; commentary] | BachZenshu | 7 | 198-211 [58-71] |
| ||
| | 196. | Mochizuki, Michiaki | Gusha to Kantata. [Inferior people and Cantata] | BachZenshu | 1 | 72-78 |
| ||
| | 197. | Murakami, Yoichiro | Oto no Minshuka. [Democratisation of sound] | BachZenshu | 11 | 140-151 |
| ||
| | 198. | Nakajima, Yuji | Bach ni Seishin no ayumi o. Uchu no Chitsujo o mita Hesse. [Identifying the course of spirit in Bach: Hesse viewed from the order of the universe.] | BachZenshu | 7 | 86-93 |
| ||
| | 199. | Nakamura, Kosuke | Nihonjin no Bach Juyo: sono Rekishiteki tenkai. [Bach reception by Japanese: its historic development] | BachZenshu | 15 | 158-173 |
| ||
| | 200. | Nakamura, Yujiro | Fuhenteki Harmony o koete. Dekaruto no Ongakuron to sono Shuhen. [Going beyond universal harmony: Descartes' Music theory and around his circle] | BachZenshu | 7 | 128-141 |
| ||
| | 201. | Nakamura, Yujiro | Gakukyo no Benshoho. Theodor Adorno. [Dialectics in Music: Theodor Adorno] | BachZenshu | 13 | 158-169 |
| ||
| | 202. | Nakamura, Yujiro | Gensen to shite no Ongaku. Nietzsche. [Music as the origin: Nietzsche] | BachZenshu | 11 | 152-163 |
| ||
| | 203. | Nakamura, Yujiro | Kazu, Shukyo, Ongaku. Pythagoras. [Number, Religion, Music: Pythagoras] | BachZenshu | 1 | 116-125 |
| ||
| | 204. | Nakamura, Yujiro | Kotori to no Taiwa. Ashiji no Francesco / Messian. [The conversation with birds: Francesco in Ashji (?) / Messian] | BachZenshu | 4 | 144-159 |
| ||
| | 205. | Nakamura, Yujiro | 'Me to Te no Hito' to Ongaku. Leonardo da Vinci. ['Man with Eyes and Hands' and Music: Leonardo da Vinci] | BachZenshu | 6 | 142-155 |
| ||
| | 206. | Nakamura, Yujiro | Ongaku to Tetsugaku to Sugaku no Icchi: Leibnitz to Bach. [The correspondence between music, philosophy and mathematics: Leibnitz and Bach] | BachZenshu | 15 | 174-189 |
| ||
| | 207. | Nakamura, Yujiro | Saezuru Kikai. Duruuzu & Gataari. [Twittering machine] | BachZenshu | 14 | 148-165 |
| ||
| | 208. | Nakamura, Yujiro | Seishin no Fuga: Roman shugi no Ongaku Bigaku to Tetsugaku. [Spiritual Fugue: Music aesthetics in Romantic era and Philosophy - Hegel] | BachZenshu | 10 | 170-181 |
| ||
| | 209. | Nakamura, Yujiro | Senritsu to Shakai Keiyaku. Rasseau no Ongakuron to sono Shuhen. [Melody and social contract: Rasseau's music theory and its circle] | BachZenshu | 8 | 122-133 |
| ||
| | 210. | Nakamura, Yujiro | Shindo suru Mi. Sokuratesu kara Puraton e. [Vibrating 'Mi': From Socrates to Plato.] | BachZenshu | 2 | 122-133 |
| ||
| | 211. | Nakamura, Yujiro | 'Shinkyoku' no Sekaizo to Ongaku: Dante [Seishin no Fuga] [The universal image of 'La Divina Commedia' and music: Dante] | BachZenshu | 5 | 140-151 |
| ||
| | 212. | Nakamura, Yujiro | Tamashii no Rhythm ron. Augustinus. [The spirit of Rhythm theory: Augustinus] | BachZenshu | 3 | 120-131 |
| ||
| | 213. | Narumi, Fumio | [8-tsu no Sho-Zensokyoku to Fuga] BWV 553-560 (Gisaku) [8 small preludes and fugues (spurious); commentary] | BachZenshu | 9 | 187-188 [25-26] |
| ||
| | 214. | Narumi, Fumio | Berlin Monogatari. 18-Seiki Kohan ni itaru Toshi to Ongaku no Rekishi. [The Story of Berlin. The cities in second half of the 18th century and the history of music] | BachZenshu | 14 | 136-147 |
| ||
| | 215. | Narumi, Fumio | Ensoka to shite no Bach. Bach no Shogai. [Bach's life: Bach as a performer] | BachZenshu | 5 | 162-176 |
| ||
| | 216. | Narumi, Fumio | [Gensokyoku, Tokkata, Zensokyoku, Orugan Kyoku] BWV 561-572; [Fuga] BWV 574-581. [fantasies, toccatas, preludes, pièce d'orgue, fugues; commentary] | BachZenshu | 9 | 184-187 [26-29] |
| ||
| | 217. | Narumi, Fumio | [Kaisetsu: BWV 620a, 1085, Anh.55, 535a, 545b, 131a, 1027a] Sakuhin Kaisetsu. Orugan Kyoku [2]. - [commentary: BWV 620a, 1085, Anh. 55, 535a, 545b (Anh. II), 131a, 1027a] | BachZenshu | 10 | 218-219 [78-79] |
| ||
| | 218. | Narumi, Fumio | Kirnberger Korarushu (BWV 690-713) ni tsuite; 27 no Koraru Henkyoku (BWV 714-740) ni tsuite; 25 no Koraru Henkyoku (BWV 741-765) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Kirnberger chorale collection, BWV 690-713; on 27 chorale preludes, BWV 714-740; on 25 chorale preludes, BWV 741-765] [commentary] | BachZenshu | 10 | 221-234 [63-76] |
| ||
| | 219. | Narumi, Fumio | Kobetsu ni Densho sareru Orugan Korarugun. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On seprately-transmitted Organ chorales] | BachZenshu | 10 | 234 [63] |
| ||
| | 220. | Narumi, Fumio | Koraru Partita (BWV 766-771) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On chorale partitas, BWV 766-771; commentary] | BachZenshu | 10 | 219-221 [76-78] |
| ||
| | 221. | Narumi, Fumio | [Passakaria, Torio, Aria, Kanzona, Alla breve, Pasutorare, Chiisana Wasei no Meiro] BWV 582-591. [passacaglia, trios, aria, canzona, alla breve, pastorella, 'Kleines harmonische Labyrinth'; commentary] | BachZenshu | 9 | 182-184 [29-31] |
| ||
| | 222. | Narumi, Fumio | Torio Sonata (BWV 525-530) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [1]. - [On Trio sonatas, BWV 525-530; commentary] | BachZenshu | 9 | 193-196 [17-20] |
| ||
| | 223. | Narumi, Fumio | [Zensokyoku to Fuga, Gensokyoku to Fuga, Tokkata to Fuga] BWV 531-552. [preludes (fantasies, toccatas) and fugues; commentary] | BachZenshu | 9 | 188-193 [20-25] |
| ||
| | 224. | Nishihara, Minoru | 19-Seiki no Cembalo Fukko. [Harpsichord revival in the 19th century] | BachZenshu | 11 | 88-100 |
| ||
| | 225. | Nishihara, Minoru | Bach no Kyutei Seikatsu. Bach no Shogai. [Bach's life: Bach's Life in Court] | BachZenshu | 6 | 166-176 |
| ||
| | 226. | Nishihara, Minoru | Bach no Shogai: 19-Seiki Kindai ni okeru Bach no Egakarekata. Bach no Shogai. [Bach's life: The way Bach was portrayed in the 19th century] | BachZenshu | 10 | 192-206 |
| ||
| | 227. | Nishihara, Minoru | Bach to Keizai Seikatsu. Bach no Shogai. [Bach's life: Bach and Economic Life] | BachZenshu | 2 | 144-158 |
| ||
| | 228. | Oefner, Claus | Bach Ichizoku no Senjin tachi. [The predecessors of Bach family] trans. by Naoaki Eguchi. | BachZenshu | 15 | 28-41 |
| ||
| | 229. | Ogawa, Akira | Iesu Junan Monogatari no Seiritsu to Shoso. [The origin and some aspects of the story of Jesus' Crucifixion] | BachZenshu | 8 | 98-111 |
| ||
| | 230. | Ogawa, Hideharu | Bach to no Deai. [Encounter with Bach] | BachZenshu | 6 | 70-84 |
| ||
| | 231. | Ohara, Mayumi | Bach-ke no 'Kazoku no Shozo'. [Bach family's 'Family portrait'] | BachZenshu | 8 | 112-121 |
| ||
| | 232. | Okabe, Shin'ichiro | Tashu-Tayo na Bach Henkyoku. Sakuhin Kaisetsu. Bach to sono Shuhen. - [Various Bach arrangements] [Wolfgang Amadeus Mozart BWV 874/2; Franz Liszt BWV 12/2; Johannes Brahms BWV 1004/5; Ferruccio Busoni BWV 639; Leopold Stokowsky BWV 565; Arnold Schönberg BWV 552; Anton Webern BWV 1079/2] | BachZenshu | 15 | 236-241 [124-129] |
| ||
| | 233. | Oshio, Takashi | Fudo to Bunka to Shinko to. [With climate, culture and belief] | BachZenshu | 11 | 128-139 |
| ||
| | 234. | Osumi, Kinya | 18 no Korarushu (BWV 651-668) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On The Eighteen Chorales, BWV 651-668; commentary] | BachZenshu | 10 | 242-250 [47-55] |
| ||
| | 235. | Osumi, Kinya | Bach to Josei. Bach no Shogai. [Bach's life: Bach and Women] | BachZenshu | 9 | 160-180 |
| ||
| | 236. | Osumi, Kinya | 'Clavier Renshukyokushu Dai-3-Bu' yori Koraru Henkyoku (BWV 669-689) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On chorale preludes from Clavierübung III, BWV 669-689; commentary] | BachZenshu | 10 | 234-242 [55-63] |
| ||
| | 237. | Osumi, Kinya | Schübler Korarushu (BWV 645-650) ni tsuite. Sakuhin Kaisetsu. Orugan Kyoku [2]. - [On Schübler Chorales, BWV 645-650; commentary] | BachZenshu | 10 | 250-253 [44-47] |
| ||
| | 238. | Oyama, Mayumi | Bach no Chenbaro Kyosokyoku. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [Bach's cembalo concertos; commentary; BWV 1052-58, 1060-1065] | BachZenshu | 14 | 211-221 [40-50] |
| ||
| | 239. | Oyama, Mayumi | [Fukugen Kyosokyoku] BWV 1055R, 1060R, 1052R, 1053R, 1059R, 1064R. Sakuhin Kaisetsu. Kyosokyoku, Kangengakkyoku. - [concertos in reconstruction; commentary] | BachZenshu | 14 | 208-211 [50-53] |
| ||
| | 240. | Rempp, Frieder | Bach no 4-sei Koraru-shu o megutte. [On the Four-Part Chorales] trans. by Hiroko Kato. [Original title was 'Die Sammlung der vierstimmigen Choräle Johann Sebastian Bachs'] | BachZenshu | 8 | 34-49 |
| ||
| | 241. | Sakata, Hiroo | Orugan no Hanashi. [A story on the Organs] | BachZenshu | 10 | 90-96 |
| ||
| | 242. | Salmen, Walter | Anhalt Cöthen Ko no Hoyochi Ongakuka. trans. by Hiroko Kato [Musicians of Resort for Prince of Anhalt Cöthen] | BachZenshu | 6 | 134-141 |
| ||
| | 243. | Sanko, Nagaharu | Bach wa Ongaku no Sansukuritto. [Bach is the Sanskrit of music] | BachZenshu | 7 | 94-100 |
| ||
| | 244. | Sasaki, Chikara | Bach no Ongaku to Sugaku. Pictorial J. S. Bach. [Bach's Music and Mathematics] | BachZenshu | 12 | 101-108 |
| ||
| | 245. | Sasaki, Ken'ichi | Bach - Boileau - Kant. | BachZenshu | 12 | 130-143 |
| ||
| | 246. | Sato, Migaku | Iesu no Fukkatsu. Pictorial J. S. Bach. [Ressurection of Jesus] | BachZenshu | 8 | 69-76 |
| ||
| | 247. | Sato, Migaku | Seishogaku e no Maneki. Bach ni made tsuzuku Michi. [Invitation to Bible Study: The Way leading to Bach] | BachZenshu | 1 | 106-115 |
| ||
| | 248. | Sato, Migaku | Shinyaku Seisho no Sugata. Pictorial J. S. Bach. [The appearance of the New Testament] | BachZenshu | 5 | 69-76 |
| ||
| | 249. | Schneider, Herbert | Bach to Furansu ongaku. [Bach and the French music] Trans by Taro Yamazaki. | BachZenshu | 15 | 54-73 |
| ||
| | 250. | Schulze, Hans-Joachim | Bach no Motetto o meguru Kosatsu: Seiritsushi, Kashi to Keishiki, Enso no Dento. [On Bach's Motet: Its origin, verse form and performance tradition] trans. by Ryuichi Higuchi | BachZenshu | 7 | 24-33 |
| ||
| | 251. | Schulze, Hans-Joachim | Bach no Orugan Koraru - Shiryo to Densho. [Bach's Organ Chorale: sources and transmission] trans. from German by Ryuichi Higuchi. | BachZenshu | 10 | 26-37 |
| ||
| | 252. | Schulze, Hans-Joachim | Leipzig Bach-Archiv. Trans. by Ryuichi Higuchi. | BachZenshu | 5 | 26-35 |
| ||
| | 253. | Sekine, Toshiko | Kogaku Enso no Keifu. [A family tree of early music performance] | BachZenshu | 5 | 98-119 |
| ||
| | 254. | Sonoda, Takahiro | Bach o shirukoto. [Knowing Bach] | BachZenshu | 12 | 110-122 |
| ||
| | 255. | Sugiyama, Yoshimu | Uragawa kara mita Bach. [Bach viewed from the reverse side] | BachZenshu | 3 | 70-90 |
| ||
| | 256. | Sumikura, Ichiro | Fuga no Giho o meguru Shomondai. [Various problems on the art of fugue] | BachZenshu | 14 | 64-76 |
| ||
| | 257. | Sumikura, Ichiro | 'Ro-Tancho Misa' saiko. [Revisiting the 'B-minor Mass'] | BachZenshu | 7 | 66-76 |
| ||
| | 258. | Suzuki, Hidemi | Gendai no Bach. [Bach in the modern time] | BachZenshu | 13 | 104-113 |
| ||
| | 259. | Suzuki, Masaaki | Bach to Orugan. [Bach and Organ] | BachZenshu | 9 | 52-69 |
| ||
| | 260. | Suzuki, Tokiko | Hercules Shinwa. Pictorial J. S. Bach. [Myths on Hercules] | BachZenshu | 6 | 61-68 |
| ||
| | 261. | Suzuki, Tokiko | Tengoku to Jigoku. Pictorial J. S. Bach. [Heaven and Hell] | BachZenshu | 3 | 61-68 |
| ||
| | 262. | Takahashi, Hideo | Bach Esukisu. [Bach Esquisse.] | BachZenshu | 11 | 118-126 |
| ||
| | 263. | Takahashi, Tatsushi | Mainichi ga Shukusaijitsu, moshikuwa 'Esoragoto' no Nosonzo. 'Nomin Kantata' no Bijutsushi-teki Haikei. [Everyday is holiday, or 'Esoragoto' of the image of farming villege] | BachZenshu | 6 | 106-121 |
ŠG‹óŽ– | ||
| | 264. | Takao, Toshikazu | Bach no Shukyosei. Gendai ni okeru sono Igi. [Bach's Religiosity: its significance in the present day] | BachZenshu | 2 | 104-121 |
| ||
| | 265. | Takashina, Shuji | Barokku no Bijutsu: Shiminkaiga. [Arts in the Baroque era: civic paintings] | BachZenshu | 10 | 182-191 |
| ||
| | 266. | Takashina, Shuji | Barokku to Roman shugi. [Baroque and Romanticism] | BachZenshu | 15 | 190-199 |
| ||
| | 267. | Takashina, Shuji | Barokku towa nani ka. Hizunda Shinju ni utsuru mono. [What is Baroque?: the matter reflected in the distorted pearl] | BachZenshu | 1 | 126-135 |
| ||
| | 268. | Takashina, Shuji | Chooetsusei to Shinpisei. [Trancendency and Mystique] | BachZenshu | 7 | 142-151 |
| ||
| | 269. | Takashina, Shuji | Hikari to Yami [Barokku no Bijutsu] [Light and Darkness] | BachZenshu | 5 | 152-161 |
| ||
| | 270. | Takashina, Shuji | Kotenshugi. Antei shita Chitsujokan e no Shiko. [Classicism: a tendency towards the stable order] | BachZenshu | 13 | 170-179 |
| ||
| | 271. | Takashina, Shuji | Kuno to Hoetsu. [Agony and Ecstasy] | BachZenshu | 8 | 134-143 |
| ||
| | 272. | Takashina, Shuji | Mannerism. Fuan no Jidai no araware. [Mannerism: exposed in the age of uncertainty] | BachZenshu | 2 | 134-143 |
| ||
| | 273. | Takashina, Shuji | Rococo no Bijutsu. [The Art in the Rococo] | BachZenshu | 14 | 164-173 |
| ||
| | 274. | Takashina, Shuji | Shizen Shugi. [Naturalist] | BachZenshu | 4 | 160-169 |
| ||
| | 275. | Takashina, Shuji | Soshoku to Ugoki. [Ornaments and motion] | BachZenshu | 6 | 156-165 |
| ||
| | 276. | Takashina, Shuji | Taiko Shukyo Kaikaku to Taishu Kyoka. [Anti-reformation movement and the mass education] | BachZenshu | 3 | 132-141 |
| ||
| | 277. | Takashina, Shuji | Toshi to Kenchiku. [City and Architecture] | BachZenshu | 11 | 164-173 |
| ||
| | 278. | Takayama, Hiroshi | Maniera-Richeruka-ta: Bach no 'Barokku' ni tsuite. [Maniella-Ricercata: on Bach's 'Baroque'] | BachZenshu | 7 | 116-127 |
| ||
| | 279. | Tanabe, Hideki | Bach no koto. [About Bach] | BachZenshu | 4 | 106-114 |
| ||
| | 280. | Tanabe, Hideki | Kyutei to Ongakuka. Pictorial J. S. Bach. [Court and musicans] | BachZenshu | 14 | 77-84 |
| ||
| | 281. | Tanabe, Mikinosuke | Doitsu no Seido. Pictorial J. S. Bach. [Cathedrals in Germany] | BachZenshu | 4 | 97-104 |
| ||
| | 282. | Tanabe, Mikinosuke | Kanmuri no tsuita Fukuro: Shukyo kaikaku to Doitsu no Seido Naiso ni tsuite. [The bag with crown: on the reformation and the internal decoration of German church] | BachZenshu | 10 | 124-149 |
| ||
| | 283. | Tanno, Yumiko | Hoshi wa utau. Schütz, Bach o meguru Danso. [Stars sing: Thoughts on Schütz and Bach] | BachZenshu | 8 | 87-96 |
| ||
| | 284. | Terakado, Ryo | Deai no Myo. [The wonder of an encounter] | BachZenshu | 13 | 114-122 |
| ||
| | 285. | Tokawa, Seiichi | Bach to 'Heikinritsu'. [Bach and '(equal) temperament'] | BachZenshu | 12 | 28-49 |
| ||
| | 286. | Tokuzen, Yoshikazu | Ruta-ha Seitoshugi no Bach: Rippo to Fukuin o megutte. [Bach in the Lutheran Orthodoxy: on 'the Law and the Gospel'] | BachZenshu | 3 | 92-103 |
| ||
| | 287. | Tomita, Yo | 'London Jihitsufu' to 'Heikinritsu Clavier Kyokushu'. ['London autograph' and 'the 'Well-tempered Clavier'] | BachZenshu | 12 | 64-83 |
| ||
| | 288. | Tsuchida, Eizaburo | Misakyoku Ro-Tancho BWV 232. Sakuhin Kaisetsu. Misakyoku, Junankyoku [1]. - [Messe in h-Moll, BWV 232; commentary] | BachZenshu | 7 | 219-239 [30-50] |
| ||
| | 289. | Tsuji, Hiroshi | Orugan o kataru. [Speaking about Organ] | BachZenshu | 9 | 107-114 |
| ||
| | 290. | Tsuji, Kunio | Bach no Kami ni sotte. Mori Arimasa-Shi no Omoide ni. [Standing by Bach's God: in memory of Arimasa Mori] | BachZenshu | 14 | 86-93 |
| ||
| | 291. | Tsukasa, Osamu | Gaka no mazushii Ongakutaiken. [Poor musical experience of an artist] | BachZenshu | 14 | 100-110 |
| ||
| | 292. | Ueda, Yoshiko | Bach o meguru Orugan. Pictorial J. S. Bach. [Organs connected to Bach] | BachZenshu | 9 | 93-100 |
| ||
| | 293. | Wakakuwa, Midori | Kaiga ni arawareta 'Ieru Junan' no sugata: Catholic to Protestant. [The figure of 'Jesus's Crucifixion' in paintings: Catholic and Protestant] | BachZenshu | 7 | 102-115 |
| ||
| | 294. | Watanabe, Yoshio | 'Bach no Cembalo' o motomeru Tabi [Journey to 'Bach's harpsichord'] | BachZenshu | 12 | 84-100 |
| ||
| | 295. | Watanabe, Yoshio | Lüneburg no Bach to Clavichord. [Bach in Lüneburg and Clavichord] | BachZenshu | 11 | 78-87 |
| ||
| | 296. | Wolff, Christoph | Bach no Klavier Renshukyokushuu Shiriizu. Trans. by Teruhiko Nasu. [Bach's Clavierübung Series] | BachZenshu | 11 | 40-53 |
| ||
| | 297. | Wolff, Christoph | Leipzig ni okeru Bach no Shitsunai Gakkyoku. Trans. by Naoaki Eguchi. [Bach's chamber music in Leipzig] | BachZenshu | 13 | 28-41 |
| ||
| | 298. | Wollny, Peter | Musuko tachi ga tsutaeta Bach sakuhin. [Bach's works transmitted by his sons] trans by Hisao Nishikawa. | BachZenshu | 15 | 74-87 |
| ||
| | 299. | Yamazaki, Taro | Doitsu-teki towa nani ka: Spitta no 'Bach-den' o megutte. [What is German-like? On Spitta's biography of Bach] | BachZenshu | 7 | 48-65 |
| ||
| | 300. | Yokosaka, Yasuhiko | Bach to Sanbika - Gendai America no Sanbikashu ni miru Bach. [Bach and Hymns: Bach viewing from the modern American hymnbook] | BachZenshu | 10 | 56-72 |
| ||
| | 301. | Yomota, Inuhiko | Bach to Eiga. Sutorobu-Yuire 'Anna Magdalena Bach no Nikki' o megutte. [Bach and Film: On Straub / Huillet's 'The chronicle of Anna Magdalena Bach'] | BachZenshu | 4 | 115-126 |
|
Search terminated at maximum, narrow your query!